Various Artists - The Fall: A French Tribute

 

Once again, here's my annual post commemorating the death of Fall major-domo and 'Godlike Genius' Mark E. Smith, who slipped this mortal coil four years ago today.

There's even less to talk about in regards to The Gruppe this year. As I've noted in prior commemorative yearly posts, the silence in FallWorld continues to settle. The last post on the Official Fall Website was in February 2018, the month after Mark died, and its discussion board has been dormant, with the last new post in May 2020, nearly two years ago. The "unofficial" (and in my opinion, better) website The Fall Online website hosted its last posting in June 2020. At least The Fall Online Forum there is still fairly active, with new posts and discussions almost daily. But I've definitely noticed a decrease in the scope and level of activity there. At least there are some Facebook group sites, such as "Mark E Smith & The Fall: It's Not Repetition, It's Discipline" and "The Mighty Fall", trying to hold up their end.  But it's distressing to see widespread memories of my all-time favorite band gradually fading away.

Imperial Wax was on hiatus for most of 2020, as the COVID moratorium on live music entered its second year. However, in October of last year, the band played its first gigs in almost two years, and continued with another one earlier this month. They appear to be expanding their concert slate in England and on the Continent further into the year, and have mentioned that they are in the process of writing their second album, which currently has an unknown release date scheduled.

Brix and The Extricated, Brix Smith-Start's much-maligned band made up of former Fall stalwarts, a group I have heaped tons of scorn and derision on over the years, appears to be no more - thank God.  Brix announced that she would be releasing a solo album, Valley Of The Dolls, later this year, and also putting together an all-female band made up of "post-punk feminists", including former members of My Bloody Valentine, to take out on the road sometime this spring. With typical modesty and humility, she added that the group would be "going under the name Brix Smith or possibly Brix Smith Group, I haven’t decided yet. It’s time for me to put my money where my mouth is and take it out there!"

(Man, the narcissism and relentless self-promotion NEVER ends with her, does it?)

Not much more left to say, so I'll just get to the music.  For your review this year, I'm offering a compilation of reinterpretations/re-imaginings of some classic Fall tunes, all done by French artists.  I love sets like this - not only do you sometimes get interesting, off-the-wall takes on songs you know well and love, this album also shows the worldwide reach and influence of The Fall's music.  I highly recommend it. 

Here for your perusal is The Fall: A French Tribute, released on Teenage Hate Records on November 15th, 2019. Enjoy, and use this disc to keep Mark E. Smith and his band in your thoughts for just a little while longer. And, as always, let me know what you think.

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Diary - "Uni" (single)

I don't usually (as in, EVER) do this... but I heard a FANTASTIC track tonight and thought I'd share it with you all.  It's a new single by a Brooklyn, New York-based band called Diary.

Diary's been around since 2016, and consists of Will Banyard on drums, Christ Croarkin on bass, Andy Brienza on lead guitar and Kevin Bendis on vocals and synthesizer keys.  This song, "Uni", was released over the summer, and is intended to be the first in a series of tunes the band is planning on releasing through the end of the year.

Here's the video:

When I first heard this song, it put me in mind of some classic shoegaze bands from the last century, like My Bloody Valentine and especially The Veldt/Apollo Heights, another Brooklyn-by-way-of-North Carolina band I've written about on this blog earlier.  Diary calls themselve a "dreamwave" band, a synth genre that draws upon the synthesizer pioneers from that earlier era, while adding in something that sounds to me like almost Cocteau Twins-esque atmosphere. Whatever it's called, and however it's categorized, it completely tickled my eardrums - so much so that I immediately went to the group's site on Bandcamp and bought it!

I've received the band's permission to repost it here... so here, for your enjoyment is "Uni" by Diary, released on July 3rd, 2019.  It appears that Diary hasn't toured since mid-summer, but I recommend keeping an eye open for any upcoming shows of theirs in your area.  This is a band to watch for in the future!

Until then, have a listen to this... and as always, let me know what you think.

Diary - "Uni" (single) (direct download link)

Various Artists - Woodstock - Back To The Garden: The Definitive 50th Anniversary Archive (38 Discs)

Fifty years since Woodstock... what else can I say that hasn't already been said in the run-up to this historic anniversary? With the reams of memories, commentaries, scholarly dissertations, criticisms, accolades and contextual perspectives published and broadcast over the past couple of months, there is simply no chink of daylight left for a small-time music blogger like myself to add any fresh thoughts or new ideas regarding this seminal, semi-mythical event.

I believe it's the "semi-mythical" part about Woodstock that makes it so hard for modern-day writers to get a handle on the festival, what it was all about, and what it "meant". So much of what most people in this day and age know about Woodstock comes from fragmentary snippets (such as pictures of topless women dancing in the mud, Country Joe McDonald's infamous "Gimme an F!  Gimme a U! Gimme a..." chant, and of course Jimi Hendrix's electrified "Star Spangled Banner") displayed and broadcast constantly over the decades - images that I feel have served to morph the event from simply a gargantuan and well-attended rock festival into this shining, hippie-fied anti-war wonderland of universal hope and community, truly "three days of peace and love".

In conjunction with this, Michael Wadleigh's 1970 documentary film of the concert, while celebrated, presented only three hours of the three-day show... but it drew in contemporary audiences of the time and future audiences who hadn't been/couldn't have been in attendance at the original concert with a contrived sense that, by seeing the movie, they HAD been there, and they were feeling the same sort of glow from that time and place.  Of course, that "glow" had less to do with the overall vibe there, and a lot to do with Wadleigh's skillful film editing (it even got nominated for an Oscar in the Film Editing category, a rare distinction for a documentary). In his original four-star review of Woodstock, critic Roger Ebert (who should have known better) stated "The remarkable thing about Wadleigh's film is that it succeeds so completely in making us feel how it must have been to be there", adding in a later expanded review, "...how touching it is in this film to see the full flower of its moment, of its youth and hope."

So, there's a lot of legend and mythology surrounding Woodstock, which I feel skews the perception of the overall concert.  Music producers Brian Kehow and Andy Zax felt the same way regarding the show's legacy, apparently. Instead of presenting to the public only the parts of the festival that fit into the overarching "peace and love" narrative, Zax and Kehow decided to restore and reconstruct the ENTIRE concert, from start to finish, utilizing all available sources. The result of their decade-plus long effort is what I am presenting here today: a 38-disc, 432-track compilation of nearly every song sung, note played and word spoken from the stage in Bethel, New York from the evening of August 15th to the morning of August 18th, 1969, chronologically sequenced (the only tracks missing are two songs from Hendrix's set, "Mastermind" and "Gypsy Woman"/"Aware Of Love", which his estate requested not be included, and a song and a half ("Teenager In Love" and the first half of "Little Darlin") from Sha Na Na's performance due to a gap in the taping). In all, over 250 of the tracks present within this box set have never seen official release.

This set provides more of a "boots on the ground" perspective of the entire event; not just the highs and lows, but some of the more mundane instances and situations involved in the operation of a large rock concert. The many stage announcements included in this set really give you a sense of being there as a participant, and modifies the established view of how it was there over those three days. Pitchfork recently published an article on this set which describes this feeling and function much better than I ever could; here it is.

This is a gargantuan release, and as such was released in extremely limited quantities - only 1,969 copies (cute) of this set were produced, retailing for $800 or more. Two smaller sets containing selections from this box - the three-disc, 42-track Woodstock – Back To The Garden: 50th Anniversary Collection and the ten-disc, 162-track Woodstock – Back To The Garden: 50th Anniversary Experience - were released earlier this year and are more widely available.

But I got my hands on the source, the granddaddy, and thus I present it to you for your perusal and enjoyment (or at least for those of you without a spare $800 lying around...) - Woodstock - Back To The Garden: The Definitive 50th Anniversary Archive, all thirty-eight discs, released by Rhino Records just last month, on August 2nd, 2019. Enjoy, and as always, let me know what you think.

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