In addition to the thousands of CDs I have in my possession, I also own a couple hundred extended plays (EPs). Included in that group are some of the most important and celebrated EP releases by some great artists over the years: Flying Nun Records' legendary Dunedin Double EP; The Buzzcocks' Spiral Scratch; The Clash's Cost Of Living; R.E.M.'s Chronic Town; U2's very first release, Three; An Ideal For Living by Joy Division; The Pixies' Come On Pilgrim - along with some personal favorites: Slates by The Fall; Pavement's Watery, Domestic; Mission Of Burma's Signals, Calls And Marches; The Raveonettes' Whip It On; Nirvana's Hormoaning; Stink by The Replacements; pretty much all of The Cocteau Twins and Stereolab's EPs... and many, many more, including some I've written about and posted here in the past, such as Ratcat's 'Tingles' EP, the S.F. Seals Baseball Trilogy and the vinyl B-52's remix EPs.
Based upon all of this relatively recent activity, you'll be forgiven if you thought (as I once did) that EPs were a fairly recent innovation to music sales. If so, than like me, you would be wrong. A combination of market factors and competition drove the development of extended play discs. What follows is an abbreviated history of record playing formats:
78 rpm records (discs made of shellac or vinyl. with a playing speed of 78 revolutions per minute) were generally the standard recording format from the beginning of the 20th century into the mid-1940s. These discs came in two sizes, 12" and 10", and due to its fast rotation speed and larger playing groove, contained a maximum sound duration of five and three minutes, respectively.
While since the early 1930s some companies had made half-hearted attempts to market longer playing records for home use (all of which failed for economic reasons, as the Great Depression was in full swing), it wasn't until 1941 that a recording concern (Columbia) made a concerted effort to extend the playing duration of discs. Although research was interrupted by World War II, in the summer of 1948 Columbia unveiled their new creation: a disc rotating at 33 revolutions per minute (less than half of that of a 78) with a finer groove, in two sizes identical to that of the reigning format: a 12" and 10". These new long players (otherwise known as LPs) had an original capacity of 22 minutes per side, a playback capacity that only increased with subsequent improvements in technology.
In response to this, RCA Victor released the 7" 45 rpm record in the spring of 1949, as a smaller, more durable and higher-fidelity replacement for the shellac 78s. To compete with the LP, boxed album sets of 45s were issued. But despite intense marketing efforts by RCA Victor, by the mid-50s, the 45 ultimately succeeded only in replacing the 78 as the preferred format for singles. While most of the unit volume in those days was in 45 rpm sales, in terms of dollar sales, LPs led singles by almost two-to-one.
Partly as another attempt to compete with Columbia's LP, RCA Victor introduced the first "Extended Play" 45s during 1952. Their narrower grooves, achieved by lowering the cutting levels and sound compression optionally, enabled them to hold up to 7 and a half minutes per side [Generally speaking, an EP is described as "a musical recording that contains more tracks than a single but less than a full album or LP" - a pretty vague description, all in all. The Recording Industry Association of America (RIAA) officially defines an EP as containing three to five songs or under 30 minutes in length, which fits the original EP running time to a tee. While other recording organizations around the world have other varying descriptions of what an EP is in terms of track numbers and overall length, for the sake of time and argument, let's just use the RIAA's].
RCA issued more than two dozen Elvis Presley EPs during the decade after it signed him away from Sun Records, and they were fairly popular releases. But other than those Elvis discs, EPs were relatively uncommon and hard to find in the U.S. by the early 1960s, all but fading away here as the Album Era gained strength and popularity from the late Fifties onward. In the UK, however, the EP format continued to be successful, with chart-topping releases throughout the decade from such artists as The Shadows and Cliff Richard.But the undisputed kings of British EPs were, believe it or not, The Beatles. Their first EP, Twist And Shout, sold over two million copies, topped the UK EP charts for more than five months, and was on the charts for more than a year. This disc and the three #1 UK EPs that followed (The Beatles' Hits, The Beatles (No. 1) and All My Loving) all contained songs that had been included in previously released Beatles albums. It wasn't until the release of the Long Tall Sally EP in the summer of 1964 that some original content was included (although all of the songs on this disc would be released on albums before that summer was out).
All of the British Beatles EP were issued by EMI/Parlophone on the dates indicated below, and all except for the Magical Mystery Tour EP were released in mono format. In 1981, all fourteen of the UK releases were gathered into one box set, The Beatles EP Collection, along with a new disc, titled The Beatles, which compiled previously unavailable stereo mixes of four songs. Here are some of the specifics on each disc in this set:
- From Me To You
- Thank You Girl
- Please Please Me
- Love Me Do
- Twist And Shout
- A Taste Of Honey
- Do You Want To Know A Secret
- There's A Place
- I Saw Her Standing There
- Misery
- Anna (Go To Him)
- Chains
- All My Loving
- Ask Me Why
- Money
- P.S. I Love You
- Long Tall Sally
- I Call Your Name
- Slow Down
- Matchbox
- I Should Have Known Better
- If I Fell
- Tell Me Why
- And I Love Her
- Any Time At All
- I'll Cry Instead
- Things We Said Today
- When I Get Home
- No Reply
- I'm A Loser
- Rock And Roll Music
- Eight Days A Week
Beatles For Sale No. 2 EP (originally released June 4th, 1965)
- I'll Follow The Sun
- Baby's In Black
- Words Of Love
- I Don't Want To Spoil The Party
- She Loves You
- I Want To Hold Your Hand
- Can't Buy Me Love
- I Feel Fine
- Yesterday
- Act Naturally
- You Like Me Too Much
- It's Only Love
- Nowhere Man
- Drive My Car
- Michelle
- You Won't See Me
- Magical Mystery Tour
- Your Mother Should Know
- I Am The Walrus
- The Fool On The Hill
- Flying
- Blue Jay Way
- Magical Mystery Tour
- Your Mother Should Know
- I Am The Walrus
- The Fool On The Hill
- Flying
- Blue Jay Way
- The Inner Light
- Baby You're A Rich Man
- She's A Woman
- This Boy
- Honey Don't
- I'm A Loser
- Mr. Moonlight
- Everybody's Trying To Be My Baby
- All My Loving
- Please Mr. Postman
- Roll Over Beethoven
- This Boy
- Misery
- A Taste Of Honey
- Ask Me Why
- Anna (Go To Him)
After the Beatles' EP heyday ended in the late 1960s, extended plays wouldn't become popular again until the rise of punk in the mid-1970s, when bands found it to be a more cost-efficient way to bring their music to the public's attention. This trend continued through the New Wave and alternative eras. While the use and sales of the EP have declined in the digital age, they are still being made, and are still out there ready for listeners to expand their musical horizons with. I, for one, hope the EP format never dies out.
...and, at least in the case of The Beatles, it lives on here! For your listening enjoyment, here is the entire slate of Fab Four EP releases:
- The Beatles EP Collection, containing fourteen EPs originally released between 1963 and 1967 in the UK, plus a bonus disc of never-before released stereo material. This set was initially put out on vinyl by EMI/Parlophone on December 7th, 1981, and subsequently on compact disc on May 26th, 1992; and
- The three U.S. EPs, originally released by Vee-Jay and Capitol Records, respectively, in 1964 and 1965.
Enjoy these brief but extended blasts of Sixties rock goodness... and as always, let me know what you think.
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Thank you, very much appreciated.
ReplyDeleteThanks for this! Thank you for your work!
ReplyDeleteThanks so much. Looking forward to hearing Anna when she doesn't Chain Boys.
ReplyDeleteGlad you're on the right side of the "What Is 'Slates'" Debate, per . . .
ReplyDeletehttps://jericwrites.files.wordpress.com/2018/03/yunoslates.jpg
That was my first Fall record, scored at Oceans II store in Annapolis.
In the EP bin.
QED.
Ahhh - Oceans II! Picked up a ton of stuff from there as well, back in the day! I vividly recall bagging my copy of “Fred Schneider & The Shake Sociwty” from there many moons ago! Compared to the music selection at the Mid Store, Oceans II was like an alternative music wonderland!
DeleteAs for “Slates”, it contains some of my fave Fall songs of all time… including the title track, which I could listen to on a continuous loop and never get tired of, and “Middle Mass”, which has one of my top-five all time Smith bon mots: “The Wehrmacht never got in here… but it took us six years.”
Good to hear from you, Eric! I hear you and Jim are working on something together - excellent!
"Slates" turns 40 today . . . are we all really that old?? That and "Hex" would definitely be among the highest ranks in my Fall hierarchy. If you've not yet read Paul Hanley's book on "Hex," it's a great bit of music nerd catnip. I got Fred's album (and "Hex") at Oceans II as well, along with SO MANY OTHER THINGS. In the "Favorite Songs By Favorite Artists" series I'm doing at my site, I try to answer when I first heard the various artists, and that store crops up over and over again in that narrative. Yeah, doing a fun project with Jim . . . looking forward to it seeing the light of day in 2022!
DeleteFantastic collection, very anticipating the listening. Tonight I must sleep some hour... I'm afraid to press play.
ReplyDeleteThanks heaps.
Thank You Very Much
ReplyDeleteUnfortunately, it's taken me years to research Beatles cd collections. I've had their "red" and "blue" cd sets all along. I'm glad I have the opportunity to review your offerings. The sound is SUPERB! and there are a few songs I've never heard before. You really are a blessing to music fans! Thank you.
ReplyDeleteThis looks good! Thank you!
ReplyDeleteThanks great music
ReplyDeleteCould I please get a link .
ReplyDeleteCould I please get an email address...
DeleteUse the "Send email" link above, so I know where to send the files to.
The journey continues; many thanks for these!
ReplyDeleteGrowing up in the 60's and 70's I listened to these Beatles EPs from my older brother. With this fantastic box set, this wonderful period is experienced again by me. Thank you very much for that.
ReplyDeleteMillion thanks. Much appreciated
ReplyDeleteDid not know these eps existed until now, thanks a lot.
ReplyDeleteWonderful collection! And a revered (and good) sounding mono transfer. Thanks a lot!
ReplyDeleteThanks for sharing this collection
ReplyDeleteThank you for sharing. Nice to hear those versions.
ReplyDeleteJe suis en train d'écouter petit à petit. Des choses sympas :
Le décompte avant "She's a Woman"
Peut-être l'intro de Eight Days a Week qui démarre de plus bas donc l'impression d'une plus grande montée en volume. Après, tout n'est pas totalement réussi. Par exemple, "From Me to You" est largement meilleur sur Past Masters. Bref, cool d'avoir d'autres mix, des petites variations parfois minimes mais qui nous rapprochent peut-être de ce que les gens écoutaient véritablement à l'époque.
Thank you. Merci
ReplyDeleteExcellent sounding content - much appreciated!
ReplyDeletethak you very much
ReplyDeletei just got the link, thanks again!
ReplyDeleteJust noticed you sent this request a couple of times - sorry, your first two messages went into “Junk” mail, and I didn’t see them until after I received this current one today.
DeleteThank You for the link, from jmgalla00@outlook.com
ReplyDeleteThanks so much, very much appreciated.
ReplyDeleteWhat a true gentleman for providing this wonderful collection. Many thanks to you.
ReplyDeleteThanks , very fast response with the links. You rock !!!
ReplyDeleteThank you for the files for the Beatles BBC collection. What an exceptional find!
ReplyDeleteThank you very much
ReplyDeleteLinks received and files downloaded. Thanks again.
DeleteThank you so much for kindlyy sharing this collection, This is gold. All songs R gr8. U R the shit. No BS. Thanks again.
ReplyDelete