The Beatles - The Beatles EP Collection (Plus) (18 Discs)

 

In addition to the thousands of CDs I have in my possession, I also own a couple hundred extended plays (EPs).  Included in that group are some of the most important and celebrated EP releases by some great artists over the years: Flying Nun Records' legendary Dunedin Double EP; The Buzzcocks' Spiral Scratch; The Clash's Cost Of Living; R.E.M.'s Chronic Town; U2's very first release, Three; An Ideal For Living by Joy Division; The Pixies' Come On Pilgrim - along with some personal favorites: Slates by The Fall; Pavement's Watery, Domestic; Mission Of Burma's Signals, Calls And Marches; The Raveonettes' Whip It On; Nirvana's Hormoaning; Stink by The Replacements; pretty much all of The Cocteau Twins and Stereolab's EPs... and many, many more, including some I've written about and posted here in the past, such as Ratcat's 'Tingles' EP, the S.F. Seals Baseball Trilogy and the vinyl B-52's remix EPs.

Based upon all of this relatively recent activity, you'll be forgiven if you thought (as I once did) that EPs were a fairly recent innovation to music sales. If so, than like me, you would be wrong. A combination of market factors and competition drove the development of extended play discs. What follows is an abbreviated history of record playing formats:

78 rpm records (discs made of shellac or vinyl. with a playing speed of 78 revolutions per minute) were generally the standard recording format from the beginning of the 20th century into the mid-1940s. These discs came in two sizes, 12" and 10", and due to its fast rotation speed and larger playing groove, contained a maximum sound duration of five and three minutes, respectively.

While since the early 1930s some companies had made half-hearted attempts to market longer playing records for home use (all of which failed for economic reasons, as the Great Depression was in full swing), it wasn't until 1941 that a recording concern (Columbia) made a concerted effort to extend the playing duration of discs. Although research was interrupted by World War II, in the summer of 1948 Columbia unveiled their new creation: a disc rotating at 33 revolutions per minute (less than half of that of a 78) with a finer groove, in two sizes identical to that of the reigning format: a 12" and 10". These new long players (otherwise known as LPs) had an original capacity of 22 minutes per side, a playback capacity that only increased with subsequent improvements in technology.

In response to this, RCA Victor released the 7" 45 rpm record in the spring of 1949, as a smaller, more durable and higher-fidelity replacement for the shellac 78s. To compete with the LP, boxed album sets of 45s were issued. But despite intense marketing efforts by RCA Victor, by the mid-50s, the 45 ultimately succeeded only in replacing the 78 as the preferred format for singles. While most of the unit volume in those days was in 45 rpm sales, in terms of dollar sales, LPs led singles by almost two-to-one.

Partly as another attempt to compete with Columbia's LP, RCA Victor introduced the first "Extended Play" 45s during 1952. Their narrower grooves, achieved by lowering the cutting levels and sound compression optionally, enabled them to hold up to 7 and a half minutes per side [Generally speaking, an EP is described as "a musical recording that contains more tracks than a single but less than a full album or LP" - a pretty vague description, all in all. The Recording Industry Association of America (RIAA) officially defines an EP as containing three to five songs or under 30 minutes in length, which fits the original EP running time to a tee. While other recording organizations around the world have other varying descriptions of what an EP is in terms of track numbers and overall length, for the sake of time and argument, let's just use the RIAA's].

RCA issued more than two dozen Elvis Presley EPs during the decade after it signed him away from Sun Records, and they were fairly popular releases. But other than those Elvis discs, EPs were relatively uncommon and hard to find in the U.S. by the early 1960s, all but fading away here as the Album Era gained strength and popularity from the late Fifties onward.  In the UK, however, the EP format continued to be successful, with chart-topping releases throughout the decade from such artists as The Shadows and Cliff Richard.

But the undisputed kings of British EPs were, believe it or not, The Beatles. Their first EP, Twist And Shout, sold over two million copies, topped the UK EP charts for more than five months, and was on the charts for more than a year. This disc and the three #1 UK EPs that followed (The Beatles' Hits, The Beatles (No. 1) and All My Loving) all contained songs that had been included in previously released Beatles albums. It wasn't until the release of the Long Tall Sally EP in the summer of 1964 that some original content was included (although all of the songs on this disc would be released on albums before that summer was out).

All of the British Beatles EP were issued by EMI/Parlophone on the dates indicated below, and all except for the Magical Mystery Tour EP were released in mono format. In 1981, all fourteen of the UK releases were gathered into one box set, The Beatles EP Collection, along with a new disc, titled The Beatles, which compiled previously unavailable stereo mixes of four songs.   Here are some of the specifics on each disc in this set:

The Beatles' Hits EP (originally released September 6th, 1963)

1. From Me To You
2. Thank You Girl
3. Please Please Me
4. Love Me Do

 

Twist And Shout EP (originally released July 12th, 1963) 

1. Twist And Shout
2. A Taste Of Honey
3. Do You Want To Know A Secret
4. There's A Place
   

The Beatles (No. 1) EP (originally released November 1st, 1963)

1. I Saw Her Standing There
2. Misery
3. Anna (Go To Him)
4. Chains
   

All My Loving EP (originally released February 7th, 1964)

1. All My Loving
2. Ask Me Why
3. Money
4. P.S. I Love You
   

 

Long Tall Sally EP (originally released June 19th, 1964)

1. Long Tall Sally
2. I Call Your Name
3. Slow Down
4. Matchbox
   

 

Extracts From The Film A Hard Day's Night EP (originally released November 4th, 1964)

1. I Should Have Known Better
2. If I Fell
3. Tell Me Why
4. And I Love Her
   

Extracts From The Album A Hard Day's Night EP (originally released November 6th, 1964)

1. Any Time At All
2. I'll Cry Instead
3. Things We Said Today
4. When I Get Home
   

Beatles For Sale EP (originally released April 6th, 1965)

1. No Reply
2. I'm A Loser
3. Rock And Roll Music
4. Eight Days A Week
   

Beatles For Sale No. 2 EP (originally released June 4th, 1965)

1. I'll Follow The Sun
2. Baby's In Black
3. Words Of Love
4. I Don't Want To Spoil The Party
   

The Beatles' Million Sellers EP (originally released December 6th, 1965)

1. She Loves You
2. I Want To Hold Your Hand
3. Can't Buy Me Love
4. I Feel Fine
   

Yesterday EP (originally released March 4th, 1966)

1. Yesterday
2. Act Naturally
3. You Like Me Too Much
4. It's Only Love
   

 

Nowhere Man EP (originally released July 8th, 1966)

1. Nowhere Man
2. Drive My Car
3. Michelle
4. You Won't See Me
   

 

Magical Mystery Tour (Stereo Version) EP (originally released December 8th, 1967)

1. Magical Mystery Tour
2. Your Mother Should Know
3. I Am The Walrus
4. The Fool On The Hill
5. Flying
6. Blue Jay Way
   

Magical Mystery Tour (Mono Version) EP (originally released December 8th, 1967)

1. Magical Mystery Tour
2. Your Mother Should Know
3. I Am The Walrus
4. The Fool On The Hill
5. Flying
6. Blue Jay Way

The Beatles EP (originally released December 7th, 1981)

1. The Inner Light
2. Baby You're A Rich Man
3. She's A Woman
4. This Boy
   

 

[In my opinion, there should be one more Beatles disc that should have been released as 

an EP - Yellow Submarine, which contains only four new songs by the band, then pads the "album" out with songs from the film's orchestral soundtrack recorded and produced by George Martin.  Of all the Beatles albums, this one is truly viewed as a contractual obligation/crass money grab semi-effort by the band, as the four new songs were all but screaming for an EP release... But heck - we already broached this subject, didn't we?]

 

In addition to the British EPs collected above, three Beatles EPs were released in America - the first being Souvenir Of Their Visit To America. EMI's US subsidiary Capitol Records consistently refused to put out any Beatles material in the States during 1963 and early 1964 - despite the success the band was having overseas, the label just didn't believe the Fabs could make it in America and had ZERO interest in them. So EMI worked out a licensing deal with small independent Vee-Jay Records for the American release of the group's 1963 singles and debut album Please Please Me (Vee-Jay was actually eager to acquire the license to another popular EMI recording at the time, "I Remember You" by Frank Ifield, and took on the Beatles material as a throw-in/favor to EMI). Vee-Jay had limited resources to promote the music properly, which initially led to poor sales of Beatles product over here.  Once the Beatles were signed in November 1963 to play on the popular and influential The Ed Sullivan Show, Capitol Records SUDDENLY saw the light and changed their minds, exercising their option to release Beatles music in the U.S.

However, as a condition of their earlier contract, Vee-Jay was permitted to market any Beatles material they had licensed for another year, through October 1964. Their subsequent mail order EP offering was a huge success, more than making up for those lackluster Beatles sales the year prior.

The other two U.S. EPs, Four By The Beatles and 4 By The Beatles (confusingly similar names, but different content), were both Capitol's belated attempt to hop on the Beatles gravy train. But due to coming out after Vee-Jay's more successful disc, better distribution of full Beatles albums in the States, and the relatively unpopularity of the EP format here, sales for these two discs were not what Capitol anticipated, and they were both quickly deleted from Capitol's catalogue by the end of 1965.

Here are the details on the U.S. EPs:

 

4 By The Beatles EP (originally released February 1st, 1965)

1. Honey Don't
2. I'm A Loser
3. Mr. Moonlight
4. Everybody's Trying To Be My Baby
   

Four By The Beatles EP (originally released May 11th, 1964)

1. All My Loving
2. Please Mr. Postman
3. Roll Over Beethoven
4. This Boy
   

Souvenir Of Their Visit To America EP (originally released March 23rd, 1964)

1. Misery
2. A Taste Of Honey
3. Ask Me Why
4. Anna (Go To Him)
   

After the Beatles' EP heyday ended in the late 1960s, extended plays wouldn't become popular again until the rise of punk in the mid-1970s, when bands found it to be a more cost-efficient way to bring their music to the public's attention. This trend continued through the New Wave and alternative eras. While the use and sales of the EP have declined in the digital age, they are still being made, and are still out there ready for listeners to expand their musical horizons with. I, for one, hope the EP format never dies out.

...and, at least in the case of The Beatles, it lives on here! For your listening enjoyment, here is the entire slate of Fab Four EP releases:

• The Beatles EP Collection, containing fourteen EPs originally released between 1963 and 1967 in the UK, plus a bonus disc of never-before released stereo material.  This set was initially put out on vinyl by EMI/Parlophone on December 7th, 1981, and subsequently on compact disc on May 26th, 1992; and
• The three U.S. EPs, originally released by Vee-Jay and Capitol Records, respectively, in 1964 and 1965.
  

Enjoy these brief but extended blasts of Sixties rock goodness... and as always, let me know what you think.

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Latest Poll Results: Who sported the greatest porn mustache in rock history?

The people have spoken: Freddie Mercury is the once and future king of the rock porn mustache! 

This was no contest - here are the results from our latest poll:

64% (44 votes) - Freddie Mercury
11% (  8 votes) - John Oates
  7% (  5 votes) - Jim Croce
  5% (  4 votes) - The Beatles
  2% (  2 votes) - Chuck Berry
  2% (  2 votes) - Prince
  2% (  2 votes) - Frank Zappa
  1% (  1 vote ) - Little Richard

* No votes for either Jimi Hendrix or Paul Simon

Frankly, I expected him to win, but not by THIS much; he basically swamped the competition! I thought that John Oates might give him a run for his money, but alas, it was not to be.

In honor of Mr. Mercury's crushing victory, here's the classic Queen's Greatest Hits, released by Parlophone Records (Hollywood Records in the U.S.) on October 26th, 1981, containing the band's best-selling singles released between 1974 and 1980. This disc is still the top selling album of all time in the UK, with six million copies sold, and spent nearly ten years on the charts there. In the States it went octuple-platinum (over eight million copies sold). Worldwide sales total over 25 million, making it one of the biggest selling rock albums in world history. With those kind of sales, I'm sure that most of you already have this. But if not, here you go.

Enjoy, and as always, let me know what you think. I'll try to come up with another poll soon - thanks for all of the participation!

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My first quarter-million

Sometime earlier this afternoon, this blog received its 250,000th visitor . . . not too shabby for a ramshackle, ham-bone, cobbled-together music site barely four years old! Pee-Pee Soaked Heckhole has come a long way from its humble, tentative origins . . . and it's all due to the support and encouragement I receive from folks like you.

I'd like to thank all of you who, since the spring of 2010, have taken the opportunity to check out my little corner of the Web, and who have found something here that interested and/or intrigued you. I have done my best to make each and every entry here amusing, amazing, entertaining, informational and/or possibly enlightening (special kudos to the very few of you who have found the secret, hidden posts I've stashed here over the years . . . well done tracking them down!). I like to think that with the significant number of visitors I've had here, I've succeeded, somewhat.

And a final tip of the hat to you out there who have gone the extra mile and provided me with your comments, critiques and thanks for the music you requested and obviously care so deeply about. Reading and posting your comments is the thing about this blog I enjoy the most - so keep those cards 'n' letters coming!

Today is also Paul McCartney's birthday . . . so in honor of both our landmarks this June 18th, here's a special posting for the occasion: the two-volume Wingspan: Hits and History set, released by Parlophone on May 7th, 2001, compiling all of the McCartney post-Beatles hits between approximately 1970 and 1985, both solo and with his band Wings. All of the songs on the first disc, Hits, were hugely popular commercially, especially in the mid-to-late 70s when McCartney ruled FM radio. The second disc, History, is made up mostly of fan favorites, tunes that didn't become massive hits like the ones on the first disc. But there are still plenty on this half that you will recognize, like "Take It Away", "Helen Wheels" and "Maybe I'm Amazed". A lot of people slag Sir Paul for fully embracing mass-appeal radio pop after his groundbreaking days with The Beatles. Maybe that is so, but the guy knew what he was doing, and the results here speak for themselves.

Anyway, I have definitely enjoyed sharing my tunes with you all over the past four years, and (despite my recent slowness at putting new posts up) I have no plans to discontinue doing so any time soon - I've got a bunch in the pipeline as we speak. So I look forward to the next quarter-million visitors . . . and beyond!

Enjoy the tunes, and as always, let me know what you think.

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Inch Feat. Mark E. Smith - Inch EP

Found this one at the late, lamented Virgin Megastore at Grapevine Mills Mall in Grapevine, TX in 1999, during my weekly search through the Fall stacks for any new releases. I miss that store - they were always 'Johnny-on-the-spot' regarding new music, and always had the latest/rarest stuff available. Back when I lived there, there were only two decent music stores in the Dallas area - Virgin and Bill's Records in Dallas. The only problem with Bill's was that I found it to be overpriced, compared to Virgin (plus the mall was only a couple of miles from where I lived). So must of my music purchases were made at Virgin.

Sort of a convoluted history behind thie release, the facts of which I didn't know completely until last year, when I read The Fallen, Dave Simpson's excellent book regarding his search for all of the forty-odd former members of The Fall (BTW, I highly recommend this book for all Fall fans). Here's the scoop:

Kier Stewart was a guitarist and studio engineer in Manchester who, with his studio partner Simon Spencer, worked with Fall leader Mark E. Smith on a one-off track called "Plug Myself In" in 1996 (the two billed themselves as DOSE - and BTW, the track can be found on my earlier Fall posting, A World Bewitched). The track was pretty well received, and Stewart and Spencer were eager to produce The Fall's next album (which eventually became 1997's Levitate). When guitarist Adrian Flanagan (a short-term fill-in for the recently departed Brix Smith, on her second and last go-round with the band) left the group in early 1997, Stewart was offered the slot and a chance to join the band. He initially refused, but Spencer talked him into it, thinking that it might lead to their being tapped as producers - which they were (sort of).

The band began recording in West Hempstead, but the sessions did not go well, mainly due to Smith undergoing personal problems that made him extremely paranoid, to the point where he'd sometimes refuse to do any vocals. Coupled with this was Smith's refusal/delay in signing a producer's agreement with Stewart and Spencer, and ongoing lack of payment.

The two finally got fed up and quit the sessions as both producers and musicians; they even went so far as to wipe the tapes of the little that had been recorded up to that point. And they decided to play one last practical joke on Smith: during the sessions, Stewart and Spencer had recorded a track with Smith, "Inch", as a side project apart from what The Fall was doing. After their departure from the Fall sessions, they carefully packaged up the single and shipped it out to John Peel and various major record companies, along with a letter claiming to be from Mark E. Smith, but full of un-Smith like language along the lines of "Golly gee - we really made a super cool record! Have a listen!"

Smith arrived home to find his answering machine full of messages from recording companies, asking about the "new record" that he didn't know existed. While Smith remained confused, Spencer and Stewart got a deal for the track with EMI themselves, only later bringing Smith in to work out the final details.

So, here it is, the Inch EP, released on Regal Recordings (a subsidiary of Parlophone, itself a subsidiary of EMI) in 1999. A version of this song, titled "4 1/2 Inch", made it onto Levitate. But I think the EP version is superior. This EP includes the original song and four longer remixes, all of which are superb. All hail Mark E. Smith!

Enjoy:

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The Beatles - A Hard Day's Night (RS500 - #388)

Now here, in my opinion, is a case where Rolling Stone screwed up, and screwed up royally. The soundtrack to the greatest rock 'n roll movie of all time, by the greatest rock group ever, ranked at #388? That's insane.

This album has no less than SEVEN stone-cold Beatles classics on it, including two ("Can't Buy Me Love" and "A Hard Day's Night") number one hits in the U.S. The U.S. version was the number one album for over three months in the summer of 1964, sold four million copies - and was so popular that a second album released a month later, Something New, that included EIGHT songs taken directly off of A Hard Day's Night, itself sold ANOTHER two million copies, and was the #2 album for nine weeks that summer, just behind its predecessor . . . and it's STILL only the 388th best album ever made?!? Ridiculous. A travesty.

My kids love this movie. I started showing it to them when they were just toddlers, and before they were three years old they could name all of the Beatles and could baby-sing all of the songs (I recall one time, while waiting in line at the grocery store, my two-year-old sitting in the cart stunned a man wearing a Meet The Beatles t-shirt by correctly pointing out and naming each member pictured on his shirt). It's still one of their favorite movies. And no wonder - it's smart, hilarious and fast-paced, with some great music. They'll have time enough to get into the Disney kid bands later on - for now, let them know about the classics - that's how I feel.

Yes, these are the 2008 remastered versions, both mono and stereo. I should know - I paid enough for them. Enjoy:

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