Monday, February 3, 2020

Andy Gill (Gang Of Four), 1956-2020


Sad news:  Andy Gill (shown pictured at left with bandmate Jon King), the founding, stalwart and only constant member of the various formations (and reformations) of post-punk giants Gang Of Four, died over the weekend at the age of 64.  Here's his obituary from The Guardian:
Andy Gill obituary
And from the same source, here's a excellent overview/tribute to his art and influence; I can add nothing of substance to this superb writeup:
Andy Gill: Gang Of Four's genius guitarist who burned a route out of punk
I got into Gang Of Four way back in the early '80s, when a friend of mine loaned me his vinyl copy of their debut album Entertainment! To say I was blown away by it is an understatement... I LOVED every single song on that album, and after I got my own copies (successively on vinyl, cassette and CD over the years), I played them to death! At one time, "Anthrax" was my favorite song; I once told a story in an earlier post about how I coerced a short-lived alternative radio station in Norfolk, Virginia to play it during weekday rush-hour drive time... quite possibly the one and only time Gang Of Four was ever broadcast in that area.


And years later, when I was in my own band, made up of middle-aged finance executives (the full story of which I have yet to tell), playing rock and pop standards, I somehow convinced those guys to include a cover of "I Found That Essence Rare" on our playlist - the drummer Bill used to refer to it as our "punk set"!


After an equally great follow-up album, 1981's Solid Gold, the original group lineup began to splinter, with bassist Dave Allen leaving the band to form Shriekback, replaced by Sara Lee. The first release with this new bassist, 1982's Songs Of The Free, signaled a subtle shift away from the jagged, scabrous, Situationism-influenced bent of their earlier music and into a more commercial sound, a move signified by the centerpiece song on the album, "I Love A Man In A Uniform".


Still, there were enough good tunes on this release (I especially loved "Life! It's A Shame" and "I Will Be A Good Boy") to satisfy fans of their signature sound and attitude - including me. And I remained a Gang Of Four
devotee even through the following year's widely-panned album Hard, recorded by a trio of Gill, King and Lee in the aftermath of original member drummer Hugo Burnham's departure.  Hard was a blatant bid by the band for wider radio airplay, and it failed miserably, with Gang Of Four devolving into little more than a disco-influenced funk band. The remaining members called it quits the next year, undertaking a "farewell tour" through the spring and summer of 1984 (I'm still disappointed in myself for skipping the opportunity to see them on that tour).

However, that wasn't the complete end of Gang Of Four; various members got back together in the following years in various iterations to make new band recordings. Gill and King collaborated on 1991's Mall and 1995's Shrinkwrapped (the latter being more well-received than the former, although in my opinion, neither were up to the standards of the group's first three releases). Finally, in late 2004, the original lineup of Gill, King, Allen and Burnham reformed, and spent most of the next year touring the world. I saw them that summer when they played The 9:30 Club in Washington, DC, finally seeing one of my
old favorites live; they were, of course, excellent. Later that year, the reconstituted band released Return The Gift, rerecordings of songs from their earlier albums - an interesting, but somewhat unnecessary product. Afterwards most of the band members immediately scattered, although Gill and King continued working together until 2011.

In the following years, Gill kept the Gang Of Four flag flying, with different and various members, and issuing new releases (2011's Content, 2015's What Happens Next, and most recently last year's Happy Now) from time to time. I saw the group for the last time just about a year ago (the same week I saw Martin Phillips and The Chills at a nearby venue), when they played at a small club in Cambridge, Massachusetts. It was good to see Gill up on stage again, but the show made me long for the original sound and the original band, as I heard them all those years ago.

So here, in memory of and tribute to Andy Gill and his seminal group, Gang Of Four, I offer up the following:
  • Their first release, the Damaged Goods EP, put out by Scottish indie label Fast Product on vinyl on October 13th, 1978 (this disc features the original version, with different lyrics, of "(Love Like) Anthrax");
  • The 100 Flowers Bloom two-disc compilation, a mixture of demos, album cuts, live versions and remixes, released on Rhino Records on November 3rd, 1998.  This one has been a long-time go-to source for Go4 music for me!; and
  • The Peel Sessions Album, a collection of all three of the group's appearances (in 1979 and 1981) on BBC1's John Peel Show, put out on Strange Fruit Records in 1990.
Enjoy, remember, and as always... well, you know; I always enjoying hearing from you all.

Please use the email link below to contact me, and I will reply with the download link(s) ASAP:

Damaged Goods EP: Send Email
100 Flowers Bloom: Send Email
The Peel Sessions Album: Send Email

15 comments:

  1. I think Go4 made Return The Gift in part because Hugo's powerful drumming was not captured on the first album; also because bands like Hot Hot Heat, the Rapture and Radio 4 were making their music popular again. I think Andy Gill did a great job producing Return The Gift, and some of the remixes were quite good.

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  2. Thank you for the comp and great post!

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  3. Very quick, very friendly and great music!
    Thanks!

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  4. thanks so much for the wings set - you are a total legend - much appreciated sir
    Simon

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  5. Thanks for the d/l! I saw the Gang of Four in the early 80's and it is still to this day one of the best shows I have seen. There was energy in the room that night

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  6. thanks so much for with the beatles - so many different things I hear in these mixes - you are amazing - thanks again Simon

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  7. rubber soul purple chick - thanks a million....amazing stuff - love it -regards Simon

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  8. Such a great artist. Really appreciate you sharing these. Haven't heard these Peel Sessions before

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  9. Really interesting spread of tracks here, thanks a lot for sharing. I particularly enjoyed the live tracks from 'At The Palace', which I think is an underrated live album actually. 'We Live As We Dream, Alone" is blistering, great guitar from Andy and Sara Lee's Bass is more than up to the job all the way through the set. I also find the backing vocals from Alyson Williams and Paula West to be as refreshing as a G&T after a hard day's graft. Shame Go4 didn't continue in that direction and show some of their more popular contemporaries how this 80s Pop thing was done.

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  10. Immense band. Entertainment is a perfect record, right? I saw the original members in the mid 2000s during a reunion tour around when that return the gift thing came out-they killed it. I missed tours that Andy did after, including that one you mentioned in Cambridge. At the time my attitude was “it’s just like one original member probably doing a cash grab...” but shit, now I regret it!

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  11. This band has been under valued for far too long! Thanks for the perspective and the posting!

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  12. Jon King, Hugo Burnham, and Sara Lee have resurrected things, adding David Pajo from Slint on guitar, with the intention of touring next year. Whether they'll also record remains to be seen.

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    1. I hope they do, and while it would be a bonus (you'd hope), they sound so good live in this guise I don't think they'll take too much flak for - shock/horror - touring for the hell of it without the great man. For me, it depends on the replacement. Magazine managed it without McGeoch for example, unthinkable for some, but Robin Simon was great and Noko equally so all those years later in 2009 (the line-up producing a new lp to boot). So far Pajo has been superb, the mk2 rhythm section meshing as well as they did back in the day, and King is less annoying than he has been in aeons, something to do with the feminine presence maybe, not only that of Sara Lee but the backing vocalists too, thanks to the fact they're playing tracks from albums three and four. Watch this space eh.

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