I was saddened to learn of the death in Pittsfield, Massachusetts last week of singer and actress Julee Cruise. About four years ago, she announced that she was suffering from systemic lupus, a painful autoimmune condition that left her depressed and unable to move and walk. Reports state that she took her own life at her home, with The B-52's song "Roam" playing as she died (Cruise was a touring member of The B-52's in the early 1990s, replacing Cindy Wilson who took a few years off to raise her children; I remember seeing her on stage at a band show I attended in Washington, DC during that period).
In a post I wrote almost a dozen years ago, I detailed how I first came across Cruise's music and my impressions regarding it - the melancholy, haunting quality that both repels and attracts the listener. After the release of her debut album Floating Into The Night in 1989, Cruise issued a
follow-up, The Voice Of Love, four years later. As with the first album, almost all of the songs on her sophomore release were written by director David Lynch and composer Angelo Badalamenti, so the sound and atmosphere are remarkably similar to Floating Into The Night. The Voice Of Love is more of a continuation of her debut, rather than a stand-alone entity. If you liked the first, than this one will be right up your alley as well.
Between these two albums, Cruise recorded a Lynch/Badalamenti-modified cover of an old Elvis Presley song, "Summer Kisses, Winter Tears", for the soundtrack to Wim
Wenders' scifi drama Until The End Of The World, starring William Hurt. The plot of the film had something to do with in a finding and using a device that can record visual experiences and visualize dreams... but the end result was so confusing and convoluted that the few people who DID go to see the movie were left flummoxed by it. Cashing in on his success with small, cerebral films like Paris, Texas and Wings Of Desire, Wenders managed to secure a budget of $22 million for this latest film, an amount more than the cost of all of his previous films combined. And he proceeded to spend every penny of that money, spreading his production over almost half a year with setups in 11 countries.
While Graeme Revell (co-founder of the Australian industrial band SPK) was commissioned to compose the movie theme and other incidental music for the film, Wenders asked a number of his favorite recording artists (including Cruise) to contribute songs as well for inclusion. For their selections, he asked them to anticipate the kind of music they would be making a decade later, when the film was set. It was Wenders' desire to use every song he received to its fullest extent that ultimately contributed to the overall length of the film. The initial cut was reportedly TWENTY HOURS long, from which the director and producer whittled down to a more standard running time versions of 2 1/2 and 3 hours (which Wenders called the "Reader's Digest" versions). There is also reportedly a five-hour "director's" cut of this film which has been screened at various festivals over the years.
...Not that any of that mattered. The truncated versions of Until The End Of The World were released to theaters, first in Germany in September 1991, and later in the U.S. that December, and overall the flick was a commercial failure, managing to gross only about $830,000 against its $22 million budget. Critics at the time savaged it; Roger Ebert gave the film 2 stars out of 4, describing it as lacking the "narrative
urgency" required to sustain interest in the story, and wrote that it
"plays like a film that was photographed before it was written, and
edited before it was completed". He went on to say that a documentary
about the globe-trekking production would likely have been more
interesting than the film itself. Other reviewers were even less kind.
But while the film flopped, the soundtrack was, frankly, amazing, featuring great songs by some of the top alternative performers of the day. Wenders chose well. Here's the soundtrack lineup:
- "Opening Title" – Graeme
Revell
- "Sax and Violins" –
Talking Heads
- "Summer Kisses, Winter
Tears" – Julee Cruise
- "Move with Me
(Dub)" – Neneh Cherry
- "The Adversary" – Crime
& the City Solution
- "What's Good" – Lou
Reed
- "Last Night Sleep"
– Can
- "Fretless" – R.E.M.
- "Days" – Elvis
Costello
- "Claire's Theme" –
Graeme Revell
- "(I'll Love You) Till
the End of the World" – Nick Cave & The Bad Seeds
- "It Takes Time" – Patti
Smith (with Fred Smith)
- "Death's Door" – Depeche
Mode
- "Love Theme" –
Graeme Revell
- "Calling All Angels"
(Remix Version) – Jane Siberry with k.d. lang
- "Humans from Earth"
– T Bone Burnett
- "Sleeping in the Devil's
Bed" – Daniel Lanois
- "Until the End of the
World" – U2
- "Finale" – Graeme
Revell
Personal favorites on this disc, in additon to the Julee Cruise song, include R.E.M.'s "Fretless", Depeche Mode's "Death's Door" and the Jane Siberry/k.d.lang collaboration "Calling All Angels". At the time, most of these songs were unavailable anywhere else, making the compilation a gold mine of rarities. All in all, the soundtrack did better than the movie, eventually reaching #114 on the U.S. Billboard Top 200 Albums chart in 1992.
So, in honor of the life and art of Julee Cruise, I proudly offer to you all Until The End Of The World (Original Motion Picture Soundtrack), released on Warner Brothers Records on December 10th, 1991. Enjoy, and as always... well, you know.
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